Friday, 27 April 2012
Friday, 23 March 2012
Tuesday, 20 March 2012
Finsihed!
Finally after a good few weeks, we have finished our opening sequence!, it will be posted later on today. well done to James and Paul also.
Thursday, 15 March 2012
Finishing Credits
Today, we have done the final credits, helpfully Paul was able to access the computer within his free to work on the precision, we were able to add the production, editor and composure to our opening credits. We just need our final scene and then after that we can start on our individual evaluations, which we have just been over viewing.
Wednesday, 14 March 2012
Credits in Motion
With our credits we have used motion to create the effect of blurring in and out this was unable to be done using the regular title sequences like we did for out whole title sequence.
Garage Band
While editing our Thriller, we have been mainly getting our back ground music plus our title sequence song from Garage Band, this software s helpful looking for music because it has the main basic sound effects, for example within our thriller we have had to use a motorbike sound effect because our sound the camera picked up isn't loud enough and also there's more back ground music that we didn't want.
Thursday, 8 March 2012
Editing second half of film
We've as a group decided to carry out the theme music used with in the title sequence through out the whole thriller opening, to make the distinction between an opening of a thriller then a trailer. We've filmed the stalking shots, of the man walking up to the door, man in the house looking through the window, and also the scene of that sinister man on the garden swing. We still need to film the last couple of shots, such as, the waking up shot. this will be down within the rest of this week.
Tuesday, 6 March 2012
Day before filming second half
We've been told, that our plan for one of our scenes using a lighter to light a cigarette, to symbolize "Flicker" can not be allowed so we have planned to use a fake cigarette to still give a realistic vibe to the scene. We will be filming more footage tonight, the 6th march.
Monday, 5 March 2012
Further Editing
We were unable to use the camera weekend just gone, so we have had to do further editing on the photo -age that we have, we have designed and a-located music with our title sequence, also, emphasized environmental sounds.
Tuesday, 28 February 2012
Editing
We have filmed within our Thriller, the first couple of scenes , such as the motorbike, driving down the road, and arriving on to the drive, also stalking the house, and the flicker cellar light and chopping the meat, at the moment we have edited the cuts a transitions between scenes. Also put sounds such as heat beat where the camera looks from an eye view point of the house.
Wednesday, 22 February 2012
Monday, 20 February 2012
Thriller "Flicker"
Our group that i am in, including Paul Kelly and James Greensmith who are filming our thriller have decided on the name "Flicker" This is because it gives the affect to the audience a sense of mystery and danger. Also The imagery of a flickering light shows a sense of how something isn't right and builds tension toward an event.
Thursday, 2 February 2012
Preliminary Task
Thriller Questionnaire
1) Age group? 15-17 (6) 11-14 (2) 18-22 (4)
2) What do you expect within a thriller? Blood(3) Villain and victim (3) Climax of tension (6)
3) What genre of Thriller tends to catch your attention? Action (2) psychological (5) horror (5)
4) Do you prefer Thrillers that end with the first movie or Thrillers that have a cliff hanger and carry on with a sequence? the one movie (7) the sequences (5)
5) Does gory Thrillers Appeal to you more? yes (4) no(5) not too much (3)
6) How often do you watch thriller movies? Rarely (2) every Couple of Weeks (5) Monthly (3) often (2)
7) Are you more interested in Modern or Classic Thriller films? Modern (9) Classics (3)
8) Male or Female? male (5) female (7)
9)Do you prefer thrillers that a more straight forward or thrillers with a psychotic twist? straight forward (5) psychotic twist (7)
10) Would you prefer a female or male victim within a thriller film? Male (4) female (8)
2) What do you expect within a thriller? Blood(3) Villain and victim (3) Climax of tension (6)
3) What genre of Thriller tends to catch your attention? Action (2) psychological (5) horror (5)
4) Do you prefer Thrillers that end with the first movie or Thrillers that have a cliff hanger and carry on with a sequence? the one movie (7) the sequences (5)
5) Does gory Thrillers Appeal to you more? yes (4) no(5) not too much (3)
6) How often do you watch thriller movies? Rarely (2) every Couple of Weeks (5) Monthly (3) often (2)
7) Are you more interested in Modern or Classic Thriller films? Modern (9) Classics (3)
8) Male or Female? male (5) female (7)
9)Do you prefer thrillers that a more straight forward or thrillers with a psychotic twist? straight forward (5) psychotic twist (7)
10) Would you prefer a female or male victim within a thriller film? Male (4) female (8)
Most popular and well known actors associated with thrillers
Wednesday, 1 February 2012
Target Audience
For my Thriller, i am currently trying to aim it for my own age group about 15 - 19. This type of age group are always looking for something different within a thriller film, however classic motives are always popular. I will understand more about what my audience is looking for once my questionaire have all been completed and will later be up loaded.
Tuesday, 31 January 2012
Influencial Music Video's,Adverts,Songs etc
Monday, 30 January 2012
Popluar directors
Sir Alfred Joseph Hitchcock, (13 August 1899 – 29 April 1980) was a British film director and producer. He pioneered many techniques in the suspense and psychological thriller genres. After a successful career in British cinema in both silent films and early talkies, Hitchcock moved to Hollywood. In 1956 he became an American citizen, whilst remaining a British subject.
Over a career spanning more than half a century, Hitchcock fashioned for himself a distinctive and recognisable directorial style. He pioneered the use of a camera made to move in a way that mimics a person's gaze, forcing viewers to engage in a form of voyeurism.He framed shots to maximise anxiety, fear, or empathy, and used innovative film editing. His stories frequently feature fugitives on the run from the law alongside "icy blonde" female characters. Many of Hitchcock's films have twist endings and thrilling plots featuring depictions of violence, murder, and crime, although many of the mysteries function as decoys or "MacGuffins" meant only to serve thematic elements in the film and the extremely complex psychological examinations of the characters. Hitchcock's films also borrow many themes from psychoanalysis and feature strong sexual undertones. Through his cameo appearances in his own films, interviews, film trailers, and the television program Alfred Hitchcock Presents, he became a cultural icon.
Christopher Nolan
Christopher Jonathan James Nolan (born July 30, 1970) is a British-American film director, screenwriter and producer.
He received serious notice after his second feature Memento (2000), which he wrote and directed based on a story idea by his brother, Jonathan Nolan. Jonathan went to co-write later scripts with him, including the Batman series and The Prestige. He also first collaborated with Wally Pfister, who would photograph all his subsequent films. After directing Insomnia (2002), Nolan pitched an idea for a reboot of the Batman film franchise to Warner Bros., eventually making a successful trilogy. Inception (2010) was an original screenplay by Nolan, a heist film set in the world of "shared dreaming." Nolan co-founded Syncopy Films with his wife, Emma Thomas, and they have produced all his films since The Prestige (2006).
Nolan has also worked with screenwriter David S. Goyer, film editor Lee Smith, composers David Julyan and Hans Zimmer, special effects coordinator Chris Corbould, and actors Christian Bale, Cillian Murphy, Jeremy Theobald, Tom Hardy, Ken Watanabe, and Michael Caine.
Nolan spent his childhood in the United States and England, and later studied English literature at University College, London, which he chose specifically for its film-making facilities. There he made a series of shorts in the college film society, and met the friends with whom he would later make Following (1998), his independent début feature.
Over a career spanning more than half a century, Hitchcock fashioned for himself a distinctive and recognisable directorial style. He pioneered the use of a camera made to move in a way that mimics a person's gaze, forcing viewers to engage in a form of voyeurism.He framed shots to maximise anxiety, fear, or empathy, and used innovative film editing. His stories frequently feature fugitives on the run from the law alongside "icy blonde" female characters. Many of Hitchcock's films have twist endings and thrilling plots featuring depictions of violence, murder, and crime, although many of the mysteries function as decoys or "MacGuffins" meant only to serve thematic elements in the film and the extremely complex psychological examinations of the characters. Hitchcock's films also borrow many themes from psychoanalysis and feature strong sexual undertones. Through his cameo appearances in his own films, interviews, film trailers, and the television program Alfred Hitchcock Presents, he became a cultural icon.
Christopher Nolan
Christopher Jonathan James Nolan (born July 30, 1970) is a British-American film director, screenwriter and producer.
He received serious notice after his second feature Memento (2000), which he wrote and directed based on a story idea by his brother, Jonathan Nolan. Jonathan went to co-write later scripts with him, including the Batman series and The Prestige. He also first collaborated with Wally Pfister, who would photograph all his subsequent films. After directing Insomnia (2002), Nolan pitched an idea for a reboot of the Batman film franchise to Warner Bros., eventually making a successful trilogy. Inception (2010) was an original screenplay by Nolan, a heist film set in the world of "shared dreaming." Nolan co-founded Syncopy Films with his wife, Emma Thomas, and they have produced all his films since The Prestige (2006).
Nolan has also worked with screenwriter David S. Goyer, film editor Lee Smith, composers David Julyan and Hans Zimmer, special effects coordinator Chris Corbould, and actors Christian Bale, Cillian Murphy, Jeremy Theobald, Tom Hardy, Ken Watanabe, and Michael Caine.
Nolan spent his childhood in the United States and England, and later studied English literature at University College, London, which he chose specifically for its film-making facilities. There he made a series of shorts in the college film society, and met the friends with whom he would later make Following (1998), his independent début feature.
Thursday, 26 January 2012
Generic Conventions
Thrillers can have variations of locations, plots and characters to set the atmosphere for the audience. Commonly though within thrillers, there is: A Bad guy (villain) , victim, Hero, as the main characters.
The plot of a thriller however can easily vary depending on what type of thriller your aiming for. The plot can change by it being a Psychological thriller where the will be constant tension whether there will be a twist in the film to shock the audience. Where as in Horror Thriller the audience is more aware of the plot being a frightful gruesome plot.
A location is also depending on the plot and type of thriller, could be from a mysterious castle with spider webs to the busy London streets.
The plot of a thriller however can easily vary depending on what type of thriller your aiming for. The plot can change by it being a Psychological thriller where the will be constant tension whether there will be a twist in the film to shock the audience. Where as in Horror Thriller the audience is more aware of the plot being a frightful gruesome plot.
A location is also depending on the plot and type of thriller, could be from a mysterious castle with spider webs to the busy London streets.
BBFC
"U"...It is impossible to predict what might upset any particular
child. But a ‘U’ film should be suitable for audiences aged four years
and over. ‘U’ films should be set within a positive moral framework
and should offer reassuring counterbalances to any violence, threat
or horror.
If a work is particularly suitable for a pre-school child to view alone, this will be indicated in the Consumer Advice.


The ‘12A’ category exists only for cinema films. No one younger than 12 may see a ‘12A’ film in a cinema unless accompanied by an adult, and films classified ‘12A’ are not recommended for a child below 12. An adult may take a younger child if, in their judgement, the film is suitable for that particular child. In such circumstances, responsibility for allowing a child under 12 to view lies with the accompanying adult.
The ‘12’ category exists only for video works. No one younger than 12 may rent or buy a ‘12’ rated video work.
No one younger than 15 may see a ‘15’ film in a cinema. No one younger than 15 may rent or buy a ‘15’ rated video work.
No-one younger than 18 may see an ‘18’ film in a cinema.
No-one younger than 18 may rent or buy an ‘18’ rated video.
In line with the consistent findings of the BBFC’s public consultations and The Human Rights Act 1998, at ‘18’ the BBFC’s guideline concerns will not normally override the principle that adults should be free to choose their own entertainment. Exceptions are most likely in the following areas:
If a work is particularly suitable for a pre-school child to view alone, this will be indicated in the Consumer Advice.
‘PG’
Parental Guidance
General viewing, but some scenes may be unsuitable for young children
Unaccompanied children of any age may watch. A ‘PG’ film should not disturb a child aged around eight or older. However, parents are advised to consider whether the content may upset younger or more sensitive children.’12A’/’12′


Suitable for 12 years and over
Exactly the same criteria are used to classify works at ‘12A’ and ‘12’. These categories are awarded where the material is suitable, in general, only for those aged 12 and over. Works classified at these categories may upset children under 12 or contain material which many parents will find unsuitable for them.The ‘12A’ category exists only for cinema films. No one younger than 12 may see a ‘12A’ film in a cinema unless accompanied by an adult, and films classified ‘12A’ are not recommended for a child below 12. An adult may take a younger child if, in their judgement, the film is suitable for that particular child. In such circumstances, responsibility for allowing a child under 12 to view lies with the accompanying adult.
The ‘12’ category exists only for video works. No one younger than 12 may rent or buy a ‘12’ rated video work.
’15′
Suitable only for 15 years and over
No one younger than 15 may see a ‘15’ film in a cinema. No one younger than 15 may rent or buy a ‘15’ rated video work.’18′
Suitable only for adults
No-one younger than 18 may see an ‘18’ film in a cinema.No-one younger than 18 may rent or buy an ‘18’ rated video.
In line with the consistent findings of the BBFC’s public consultations and The Human Rights Act 1998, at ‘18’ the BBFC’s guideline concerns will not normally override the principle that adults should be free to choose their own entertainment. Exceptions are most likely in the following areas:
- where the material is in breach of the criminal law, or has been created through the commission of a criminal offence
- where material or treatment appears to the BBFC to risk harm to individuals or, through their behaviour, to society – for example, any detailed portrayal of violent or dangerous acts, or of illegal drug use, which may cause harm to public health or morals. This may include portrayals of sexual or sexualised violence which might, for example, eroticise or endorse sexual assault
- where there are more explicit images of sexual activity which cannot be justified by context. Such images may be appropriate in ‘R18’ works, and in ‘sex works’ (see below) would normally be confined to that category.
Wednesday, 25 January 2012
Best Thrillers of All Time
1. North by Northwest.....Alfred Hitchcock as the main actor giving a sense of tension within the movie about the twist of a spy.
Monday, 23 January 2012
Favourites
Music Credits
Thursday, 19 January 2012
Thriller is...
Today i was able to access my account and I've been researching all types of Thrillers; such as Action Thrillers (James Bond) , Horror Thrillers (The Devil Inside) , Psychological Thrillers(The Uninvited) and many more. Thriller's are the sense of tension that makes your heart race and your breathe stop. Bring you to the edge of your seat. To feel the anxiety of what the possibilities are that could happen next.
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